Bios

Chelsea_Group

Chelsea Herzog

            Chelsea has been interested in film and animation for a very long time. Even when she was little, she spent hours drawing and creating weird characters and stories. She never imagined she would be able to do that for a career when she grew up. Chelsea specializes in character animation and modeling; however, she is also very interested in lightning and texturing. Her style tends to be on the cute and colorful side, but because she always wants to improve and grow as an artist, Chelsea is very versatile and is familiar with darker stories as well. Her favorite animated films of all time are “The Lion King,” “The Nightmare Before Christmas,” and “One Hundred and One Dalmatians.”

Eric_Michelsen_Group

Eric Michelsen

            Eric is a senior at Bowling Green State University studying digital arts, focusing in animation. He has been interested in animation since a very young age and has been drawing since he was a toddler. He has been animating for two years and enjoys 3D modeling as well. His concepts usually deal with metaphysical spirituality and the grotesque consciousness of the human mind. Eric wishes to become a character animator in the gaming industry as a career. His favorite animations are the “Toy Story” trilogy, “Rocko’s Modern Life”, “Attack on Titan”, and the “Looney Toons”.

Allison_Group

Allison Shedloski

            Alison is a third year digital arts student at Bowling Green State University. She specializes in 3D animation but enjoys creating her own stop-motion creations in her spare time. Alison has been interested in animation ever since she found out how they are created. However, she’s been interested in art ever since she could pick up a crayon. She enjoys the fluidity of movement you can achieve through animation, and the processes to achieve such fluidity. Her style tends to be a mix of cute and creepy simple stories. Many of the influences on her work are films and shows from the Walt Disney Company, the creations of Laika Studios, and the imaginings of Studio Ghibli.

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Matt Schomisch

Matt is an animation student in his third year at Bowling Green State University. Matt’s passion for animation was first sparked by animations like Courage the Cowardly Dog, Avatar: The Last Air-bender and films made by The Walt Disney Company. While primarily interested in perusing a career in 2D-Animation, Matt realized the popularity of 3D-Animation and has worked over the past few years to hone his skills and adapt as best as he can to this new medium. Through his first few 3D Animation classes at BGSU Matt learned that his strengths in 3D-Animation lay in character modeling and that his weakness was rigging. His stories usually involve an ironic or dark twist on a familiar concept.

Storyboard

#1 The title is written in the sky The camera points on it for a couple of seconds until it pans down to set the scene on a farm house at twilight.  It seems like a normal house and the viewer moves towards the house.

-extremely wide establishing shot

– 5 – 6 seconds

Picture1 #1

#2 Upon approaching the house the wind creaks the door open for the viewer.  The inside of the house seems normal but has clearly been abandoned for a while.

-panning camera

-3 seconds

Picture2 #2

#3 The camera pans around for a bit and then focuses on a dark doorway when the sound of a child laughing can be heard.

-zoom in on the doorway more and more

– 3 seconds

Picture3#3

#4 & 5 The viewer is close enough now to see into the doorway.  The room is dark but the silhouette of a child can be made out and a ball rolls into view of the light of one of the windows.

-5 seconds

Picture4#4

Picture5#5

#6 The child is almost in the light and appears to be hobbling towards the balls.  We cannot quite see the child.

  • 4 seconds

Picture7#6

#7 All we can hear from the child is a quiet raspy sound.

-2 seconds

Picture6#7

#8 The child walks out of view of the camera.  The camera does not follow but instead focus on the dark background of the room.

-2 seconds

Picture8#8

#9 The walls are covered with blood and there appears to be a limb in the corner.

-5 seconds

Picture9#9

#10 The camera quickly looks back towards the child as he is almost in the light of the window.  As he steps into the light viewers realize that he is a zombie and he is looking down at the ball.

-dramatic shot of focus

-10 seconds

Picture10#10

#11 Pan down to the ball on the floor and zoom in.  Viewers now realize that it is an eyeball as the child reaches down to put the eye back into his head.

-7 seconds

Picture11#11

#12 The camera cuts out to a mid shot of the zombie.  He puts the eyeball back into his head and immediately notices the viewer.  He stars at the viewer with creepy intent.  The camera cuts to black.

-8 seconds

Picture12#12

Production Schedule

Character Animation Group Schedule Fall 2015

Allison – Storyboarding, animatic, sound, animating, modeling.

Matt – Storyboarding, animatic, modeling, animating.

Chelsea – Modeling, animating, lighting, rendering.

Eric – Animating, modeling, rigging.

September –

6th-12thStoryboarding, choose inspirational animations. Start character modeling

13th-19thStoryboard Animatic/ with Sound.

20th-26th Concept art development, draw out, color. Continue modeling.

27th-30th(3rd) – Concept art development, draw out, color. Continue modeling.

October –

4th-10th Character/environment/objects modeling. Start on rigging.

11th-17th Character/environment/objects modeling and texturing. Continue rigging.

18th-24th Character/environment/objects modeling and texturing. Start rough animation.

25th-31st Continue modeling. Start lighting. Continue rough animation.

November –

1st-7thPrepare for Trailer 1 draft presentation.

8th-14th Prepare for Trailer 2 draft presentation.

15th-21st Start polishing animations. Get final renders ready.

22nd-28th Prepare for Trailer draft 3 presentation.

29th-30th, (Dec. 5th) – Prepare for final screening. Start finishing up everything. Start rendering.

December –

6th-12th Finish sound, finish polished animations, render scenes.

13th-18th Final project due.

Story Process

Story Idea 1: The Ball Setting: Old creepy house. Ominous light pours through the windows. Duration: 45 seconds to 1 minuet

Synopsis: The story opens with an outdoor view of the house. We [the audience] enter the house and hear the laughter of a child. Bright light from the moon splashes over the walls. The silhouette of a child can be seen. It seems he is playing with a ball. [Camera zooms in closer] The child is still hidden in shadows, but we can see him playing. He is rolling a ball across the floor and chasing it. [The camera follows] The audience begins to see that the old house is actually rather gruesome [There are bloody hand prints on the walls, blood smears across the floor, perhaps a human arm can be seen from inside another room. This house is a place of nightmares.] Finally, the little child rolls the ball towards the light of the window. But the light reveals not a ball, but a large eyeball! The child steps forward and is finally revealed to be a zombie [seen in the concept picture]. He reaches down, picks up his eyes, and pops it back into his head [the “ball” was his own missing eye]. He looks at the audience and starts to smile [a bloody creepy smile]. Screen goes dark. Credits begin to roll.

Story Idea 2: Under the Bed Setting: Little Monster’s Bedroom Duration: 30 to 45 seconds

Synopsis: The story opens with us [the audience] inside a bedroom. A little monster [the one pictured] waddles into the room and yawns. He climbs into bed and turns off the light. He curls up to sleep, but just at that moment he hears a weird noise from beneath his bed. Obviously scared, he works up the courage to turn his light back on and look under his bed. Much to his surprise he comes face to face with a human child. They share a moment of silence. Both of them then scream loudly, the child retreats under the bed and the monster runs out of the room. Screen goes dark. Just before the credits roll, we [the audience] hear two different voice yell “MOM! THERE IS A MONSTER UNDER MY BED!” Credits roll.